/yn/ - Yume Nikki General

It probably has to do with drivers. Back when I was poor I played YN with an intel iGPU and the drop was massive, tested it with amd and it did mostly fine, I don't now how nvidia fares with that.

thanks to reply anyway!

No, he just doesn't reply no matter if you write in english or japanese.

>>8867
Well, the Kodakawa guys contacted them through the mail.
Also, I am asking because I tried to sen a mail an I got an automated "can't do" message

>>8868
>Well, the Kodakawa guys contacted them through the mail.
That's what they said, after 6 years of sending him messages both in japanese and english, I concluded he either ignores them or doesn't even check his inbox anymore.

>>8862
From what I remember, it's been there for more than 8 years.
Also, if it counts for something, the whole "特にストーリーや目的はありません。歩き回るだけのゲームです。" was already present on the vector download page all the way back on 2007
https://web.archive.org/web/20070107064318/https://www.vector.co.jp/soft/win95/game/se332192.html

>>8863
Thank you very much

oh thks god you were alive!
got the files and saw the translations…
i just wanted to look around the original files and try to find out something more.
long live fans of yume nikki!!!

Ya your right let's do this everyone. Come on it's been 15 year. anyone with me.

>>8850
Do what?

>>6792
If I had to make a correction to this old post of mine, it'd be that モノ飛行 (Mono Hikou) means "Flying mono[chrome] [thing]" (lit. "Flying Mono"), instead of "Flying Thing". Mono can actually mean "thing" (hence why I mistranslated it), but for it to mean "flying thing", the filename should be 飛行モノ.

It doesn't help that "thing" and "mono[chrome]" are essentially spelled the same way with kana in japanese, and that "thing" is implicitly stated by context in the original filename.

let's do it let's find there real names.

>>8859
But I already did that…? >>6786 >>6787

Second image appears on a few sites related to numbers stations, I'm guessing you steganogrophy'd one of the pictures with a cipher related to the Conet Project? Either that or you're just a retard (she's playing Nasu btw, I'm going to assume you knew that). I found this recording which is pretty cool anyway: http://www.numbers-stations.com/audio/english/E10a-goodnight.mp3

>>8853
NASU

Nigh-five year NECROBUMP

There's a few more on this resolution (along with a bunch of smaller ones too), would anyone be interested on them?

>>8855
Yeah, sure!
Post them.

The whole game gave me a (dark) ghibli-esque

>>8758

Block World is very meditative.

>>8763

Hi.

>>8766

I never really thought of that but going back to it I think I see what you mean. The music really does feel like something you could get lost in thought to.

I had another nice, comfy moment when I came across Kamakurako and just curled up next to her. It made me tear up a little feeling like I'd finally thought of a way to give that poor girl some company.

I can think of a few places at the moment, but i haven't played the game in a long time.
The wilderness as a whole fascinates me, and there are plenty of locations inside of it that I really like. First off, the spring house with the red faced entity. Second, the road to the sky garden (including that part with the red-eyed grass, the purple poles and the pyramid staircase). Third, the barrack settlement (I think that's how it's called). Last but not least, the toriningen party place and the cube with the aztec rave monkey.
The ghost world next to the sky garden cliff has to be one of the most intense places, along with the martian underground, the kyu-kyukun corridor and the different white desert locations.
Oh, the mall has some amazing locations too, including the rooftop, the blood room, and the flute room. The witch island and the train you take to get there are gorgeous too. But if I have to choose an absolute favorite, it would be the martian underground.

I can't say I have a #1 favorite but I really really like the White Desert. Other than the secret shortcut in the Block World, you have to really go out of your way to get there, and it's one of the most invested areas in the whole game. It's really climactic in the most disturbing way possible, so much so that the first time I played the game I thought that was where the game would end or something.

The whole Number World / Lamp World / Staircase area is something I've gained more appreciation for on replays. It's entirely disconnected from the rest of the game other than the Nexus and the staircase section also has a reprise of the Nexus' background which plays into the atmosphere and significance of the area.

I think I like these areas because they lend some sort of sense to the game. Everything else feels so disconnected yet these places suggest there's some sense to be made of the whole thing. It's hard to explain but I hope you get what I mean. It's what distinguishes this game from just a random mess of unrelated levels.

I also like Mars because the sound tracks are really awesome, both of them.

>>8822

I love the Wilderness too. It's like a whole entire environment by itself and the build up to the Sky Garden is fucking beautiful.

I feel very emotional in the Mars-san area. The piano, the atmosphere… and to arrive the place, with no more places to go, is like a trophy to me. Very touching and personal to me.