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/lit/ - Literature

M-my hands are w-writing on their own~!
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Everything should be working again, report bugs in /sugg/. Spoke too soon, style switching broken in Firefox.

File: 1322099663296.jpg (351.15 KB, 535x838, 1282526324557 patchouli black.…)

No.113[Reply]

A second-person exploration piece that I did for my Writer's Craft course. I hope you enjoy it.

Picture unrelated.

http://kupax.com/files/18515_169l0/You_Every%20Day.pdf

No.114

in my writer's craft course i wrote a thing about hamsters and penises and i got a 90%
i let a hamster slowly starve to near-death before feeding it a tiny ball of chocolate and then it died.
the teacher thought it was hilarious.


No.155

I don't even have an Ipod, how can I relate? And why would I wish to touch the source of my alarm?

WHAT IS UP WITH THAT EVIL INTERNAL THOUGHT PROCESS? IT'S LIKE, ANNOYING AND BORING AT THE SAME TIME.

I would like jewels which I can pull out of the room description to cause my death plz. Needs more Shadowgate.


No.157

>>155
I don't have an ipod either, but i can relate to this story. A bit to good actually. GREAT WORK, KEEP IT UP!




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No.43[Reply]

What do you all like to write on most?

I like writing in blank hardcovered books with ink marker-pens. I just love the way the pen feels on the paper, and just, turning the page, and, just, hard, covered, book. I … love books so god damned much. so much.
Typing has a nice feel too but I definitely definitely prefer writing.
Leaflets of paper used to be a favorite of mine. I have stacks inches high of leaflets. I would write on small scrap leaflets of paper. like hall passes, late slips, etc. (hahah highschool.)
It gave it such character. such an in-the-moment feel. and the moments oftentimes were linked with the scrap it was written on. haha.
it just, felt right.

I want to write with a calligraphy pen but I'll have to learn how to write top-to-bottom or something, since I'm a lefty…
clay sounds cool to write on.

No.44

For the sake of convenience and writing fast, my laptop is wonderful. I used to have an old keyboard that my mum had gotten from a yard sale, but I left it at their house when I moved. Loved it, but finding ink ribbons was nearly impossible too.

I usually keep a small notepad and pen on my person too. I'm not partial to anything in particular, but I love storycrafting on pen and paper. Or napkins. Or toilet paper. Or anything that pen can leave a mark on, lol.

I sorta miss that old typewriter, though. Maybe I'll get another one once I find a job. I enjoyed it and there was a sort of novelty to it. The restrictions are nice too, it made you think more carefully before you wrote because if you messed up, you'd end up going back and typing Xs all over the word and end up with a messy looking draft.

…That was sort of what I liked about it, though. I'm definitely going to buy one sometime in the future, I miss that rusty old thing.


No.139

I can never focus when I type so I have a drawer full of moleskins and hardback notebooks


No.142

>>139
ohhhhhhhhhhh i am so jelly. so so jelly.

so good.

i have two hardcover "sketchbooks" but the pages are too intimidatingly large…
im gonna stick to 6"x8" and smaller ):


No.154

OP may have hypergraphia, but yeah. Scraps give me an unfinished feel, I like composition books…being able to write sideways and upside down between the already crafted lines. Fill it UP! Fill it UP! Fill it UP!


No.156

>>154
hm *googles*


i don't feel a compulsion to write but i do have a strong affinity to writing materials.

i definitely understand the completeness feel. i get that with scraps. filling the entire paper to its edges "completes" the scrap, and challenges me to make something concise enough to "complete" the scrap paper.
I miss my writing journal, though. I have a ~6x8in that i'm filling up, i'm almost halfway, on top of that 5x8in that i filled up two years ago. I have a larger book and a much larger sketchbook… but >>142
i'm trying to tackle it, though. i've made a bit of progress.




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No.143[Reply]

This is a collection of Rare and BANNED books. (and some other interesting stuff too)
Note: Reading these books could make you extremely smart, OR get you into trouble.
Having said that, the good stuff is at this link.

http://wehaslinks.com/ebooks/4346

Enjoy anons

No.144

Uh Legit?


No.147

there are some very silly titles in that collection… not really what i was thinking when i read and saw the image for "banned" books

not sure if legit or not.


No.152

File: 1327572050913.jpg (14.39 KB, 182x182, pony.jpg)

not sure if the silly names or that they were banned is funniest


No.153

Because when I think Maya Angelou, I think subversive.

Bwa ha ha ha!




File: 1316744934149.gif (186.83 KB, 126x252, house.gif)

No.6[Reply]

Ahem, don't mind me, just the founder of the /lit/ board.

I finished reading Isaac Asimov's Foundation and it was pretty awesome. Also, I'll format a sticky or something later because I like being a modfag.

4 posts omitted. Click reply to view.

No.23

>>22
If all educational books read like text books, or books you would obtain in school or college, I wouldn't like them either. Michio Kaku, is one of my favourite authors because his books are educational, but they go by well, and puts his teachings in very good examples, which you can apply to daily.

Hyperspace isn't 'Science fiction', nor is it really Futuristic, it's discussing the phyics behind wormholes, and higher dimensions. I'm a science nerd, so that's probably the only reason I'm enjoying it so much.

Unfortunately, when I started Lolita I was quite busy, and it kept drawing me away from the book. I didn't even get to finish it despite it being quite an amazing book.


No.24

>>23
>discussing the phyics behind wormholes, and higher dimensions

Yeah, not. But the name "Hyperspace" is bound to give people that impression on the tin without any other indications. I never understood how people even go about coming up with theories like that anyways. Not like anyone has gone and come back or we have any exceptional proof. That I know of. Is there?

I would go out on a limb to say that's 'futuristic' though. Unless somewhere along the line, I fell out of society and we're completely aware of things I was pretty sure were fairly undocumented and just spoken of in theories, heh.

I'll have to look up this Michio Kaku, though. Honestly, I tend to stray away from educational texts due to being an auto-didact. I put a lot more value on learning through experience and researching based on what you're doing, rather than bloating myself with things I probably won't need to know or can't put towards something in actuality.

Robert Fulghum is a man I enjoyed reading for that purpose. He's written a lot of little anecdotes about his past that put some interesting thoughts about life into my head. Small ones, but ones that have been there for a long time and I've put towards my own. I lent the copy to a friend, never got it back… need to replace that sometime.


No.30

I read Catcher in the Rye recently. It was a good read.

Now I'm reading Franny and Zooey. I can't push through fuckin' Zooey's asshole attitude with his mom, though. god. what a prick. no fucking respect. drives me up the walls, i just, can't do it. haha.
and i tried starting Bonfire of the Vanities… man fuck that too.
BOOKS
WHY ARE THEY SO DIFFICULT DUE TO CONTENT?!?!?


No.140

I've only been reading some mediocre teen-fiction, recently, but for English class we read Fahrenheit 451, which was decent. I also have The Greatest Show On Earth by Richard Dawkins sitting on my desk, might get to that soon


No.141

>>140

What did you think of it?




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No.115[Reply]

_Justice_



You wake up in a sterile, windowless hospital ward. It is brightly lit by a fluorescent light and beside it is a ceiling fan. You look down and see that your entire body is enveloped by bandages; almost like a cocoon, you are covered from head to toe, but your limbs are still free to move. You attempt to move your right arm but it does not respond. With an extreme force of will, you raise your arm an inch above the bed sheet, only to let it crash back down a moment later as a wall of pain breaches your consciousness and momentarily turns the world into colours. Stars streak across your vision while you promise yourself not to do something like that again. For now, you take the time to observe the room you are in (without twisting your neck; that action appears to be impossible in your current state).

There is little to say about it: its walls have been painted entirely in white and the square tiles are a light grey. Your bed sheets are also white. The metal frame of the bed is light blue. Beside your bed is a stand holding up a bag of intravenous drip, attached by a thin, clear tube to your left arm. Opposite of you is the door out of the tiny, barren room. It is of a beige colour.

As you try to grasp your predicament, your mind slowly begins to drift into the sea of the past. Memories begin to play across your vision like an overlay of film. Images of people running about like ants around a destroyed anthill oscillate in and out of existence. A warm, orange glow spreads upon the walls of the room, flickering, as if there is a flame in the room. You close your eyes, hoping to rid yourself of the hallucinations. However, you rapidly descend into unconsciousness…

No.116

It is dark - not impenetrably dark, for the full moon is casting its silver light through the closed windows that you stand beside. The room you are in is filled with damp newspapers. The aroma of gasoline permeates the air. A trickle of sweat rolls down your forehead as you tighten your grip on your hostage. You have your arm across his chest, restraining him, and your knife near his face.

"P-please, let me go, I-I'll do anything," whispers the old man.

You scrape your knife across the skin of his neck as you tell him, "Shut it."

You look opposite to you and all you see is the glint of the handgun. That is what you focus on as a third voice calmly commands: "Let go of him, drop the knife, and raise your hands slowly into the air." You stand still, reflecting the cop's cold exterior.

"I don't think so," you reply, as you adjust the grip on your victim. You free up your right hand and reach into your pocket to find a detonator, which you take out deliberately and show to the police officer. You let the moonlight illuminate it. "I think you should reconsider your position." You can faintly see the officer scowl and grit his teeth. He holsters his weapon and shows his hands.

"Now, now," he says. "Let's not make any rash decisions here. You'll blow yourself up too." There is a brief pause, during which you smirk.

"I'm counting on it."

You press the button on the detonator.
Post too long. Click here to view the full text.


No.117

The door is shaking so hard that you feel as though it will disintegrate at any moment. Its vibrations wrack the entire room; the stand from which your bag of IV drip hangs is rattling, as is your bed's frame. The entire room trembles in fear, like a child cowering underneath its sheets, hiding from a dark terror behind a closet door. You can make out a distant howling of wind through the sound of the quake; oh, how you wish that it is only as simple as a tornado in the middle of an earthquake. But deep in the dark recesses of your soul, you know that what is outside of the door is far more malevolent than a mere show of violence on nature's behalf. As the unrelenting shaking grows, it slowly invades those recesses of your soul, destroying the barriers between them and your consciousness, bringing the most primal and animalistic nightmares forth; and still, you cannot scream, for help or out of pure trepidation.

With the force of a giant's punch, the door slams open. Silently, you watch in horror as you gaze out of the frame into a black abyss dotted with glistening lights reminiscent of light shining across the backs of a million carapaces. The howling is like the death rattles of a god. Every fibre of your being resonates with the disharmonious music. The storm in is full force now; all of the air feels as though it is being sucked into the fathomless darkness by a whirlwind. Your instinct is to run away, hide in a corner, and screw shut your eyes, but you are fixated upon the fissure of reality. You thrash about in your bed, making muffled croaks, ignoring the spasms of pain that shoot through your limbs and torso, all the while watching that aberrant gap in the wall, as though an abomination would crawl out of it. Your fear is almost palpable.

Finally, as if to collect your terror in a pail, it comes. It first appears as a dark speck moving across the pinpricks of light in the background of the unholy vista. Then, you see it flying toward you; the gallows. The obsidian structure smashes into the floor, shattering into innumerable fragments, which collect by themselves and coalesces once more into that unbearable sight - the gallows. Reflecting upon its hard surface is a conflagration devouring an apartment. Out of thin air, a rope appears above the gallows and ties itself to the hanging arm. The other end stretches towards you and wraps around your neck, wrestling you from beneath your sheets, pulling you to the gallows. You fight to Post too long. Click here to view the full text.


No.118

You cannot tell whether the howling is from the outside or your own voice as you struggle and choke, swinging from the gallows. You claw at the rope around your neck, ignoring the pain that wracks your body. But there is no escape.

There is no escape, not for a criminal like you. There is no escape, not for a failure like you. There is no escape, not for filth like you. There is no escape, not from the despair that strangles you. There is no escape, not from the punishment you sought to cheat with a painless death. There is no escape, not from the suffering eternal. There is no escape.



When the nurses come in to check your status, they open the door and scream. They find you hanging from the ceiling fan, strung up by your IV drip's cord.

You are dead.


No.138

I approve thoroughly and whole heartedly




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No.135[Reply]

http://jottify.com/works/trafficking-and-sexual-december/

No.136

is this a farce


No.137

File: 1325356370868.jpg (17.51 KB, 300x339, 1324188080831.jpg)

mfw the person who wrote this also liked and followed me on jottify

Also, I liked the wordplay in your work. It was interesting and although I'm not very fond of erotica, it was amusing and kept me engaged lol




File: 1321687998587.jpg (Spoiler Image, 27.99 KB, 338x450, odword-collon.jpg)

No.103[Reply]

http://pastebin.com/ccpaKA9F

No.104

File: 1321688355595.jpg (5.11 KB, 255x197, images.jpg)

owow, cool story bro!


No.105

File: 1321689013964.jpg (590.09 KB, 1024x687, 1319114429852.jpg)

Psst, post this in /lit/ and you'll probably get responses if it's a legit story. I'll read it and let you know what I think of it later. It's pretty long and I'm busy at the moment, soooo yeah.


No.106

File: 1321689225155.png (95.67 KB, 255x197, coolstorybro.png)

I agree


No.132

File: 1324134164540.jpg (8.94 KB, 216x234, images.jpg)

(USER WAS BANNED FOR THIS POST)


No.133

>>132
that is… not an appropriate response to /lit/ posts and i think you need to re-evaluate why you came here in the first place. :p




File: 1321931330883.jpg (515.45 KB, 1240x1754, 1282525968576 patchouli grimda…)

No.109[Reply]

I had the fortune of analyzing a poem called The Second Coming by the one named Yeats recently in English. I'd like to share it with all of you because of how amazing I think it is.

http://en.wikisource.org/wiki/The_Second_Coming_(Yeats)

I won't give away any spoilers, so I'll leave the thread at a generic "discuss."

Even without the context, it's still a poem filled with profound imagery.

No.112

wow, it's been a long time since i've read something of that style. it's kind of hard for me to follow… i'll have to sit out from it for a bit and come back to read it again.

interesting subject matter from what i can tell at least… again, i'll have to give it another read-through.

thank you for sharing.




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No.26[Reply]

Looking for advice.

I'm going to write a first person story taking place in a mental ward; the tone is meant to be distopian, but not flat out depressing. I've got the basic outline of the story, but the problem is I don't know how to start. I'm thinking of opening with a dream to introduce the patient's view of himself/build character, or should I begin sometime in the afternoon to show introduce how a typical afternoon would go? Just give me some ideas, please?

2 posts omitted. Click reply to view.

No.38

>>37
if that is an honest suggestion, they wouldn't let him in.
When I went to a mental hospital they had everything on lock down. Only visitors for patients could enter.


No.39

>>29
http://www.pixiv.net/member_illust.php?id=774452

This art is freaking amazing…


No.40

>>38 that was half serious and half insult. It's a habit.


No.41

>>26 Well first you need to realize what your story is focused on. Are you focusing on the mental ward itself or this specific patient? If the patient consider this, are you writing it from the patients warped perspective? Or are you writing it as if we were looking through their eyes. How long are you going to make it? If its a short story then focus on the characters interactions with the world around him. If its a bit longer build the character a bit. Don't even neglect building the character completely though, because then its difficult to sympathize with them.

Most importantly though, if you are just writing this for fun, then just write whatever you want to write. Just have fun and let your thoughts flow on to the page, screen, papyrus, stone tablet, ect.


No.42

>>41
delicious mediums.
medium makes the message.
<3




File: 1316990756387.png (10.56 KB, 400x400, 1302833814055.png)

No.12[Reply]

Opening the Book
I first came to Uboachan shortly after completing the game and experiencing almost everything that the game had to offer. I wandered the boards, enjoying the posts and posting myself. But eventually, I felt like contributing to the board with my own brand of content. I write, so I wanted to breathe a new kind of life into Yume Nikki with the narrative that never was, but potentially could have been. Thus, Opening the Book was born and I first shared it here with the folks of Uboachan.

Then one day, the opened book closed and I moved on to other works on my writing site. Since then, Uboachan's gained a new board and I'm nearing the completion of my first full-length novel. So here I am, recreating the old thread that used to house Opening the Book. Why? Because I plan to reopen this closed book. The story has yet to see a proper conclusion I've realized. The other effects and events of Yume Nikki have yet to be explained or written. Once I finish my novel in a few chapters, I'm going to revisit this story, proofreading and updating with new content. I hope you all look forward to it!

Chapters
Synopsis and Table of Contents:
http://w.pensivenonsense.net/yumenikki/

As of posting this, the story has 13 chapters, complete with a good and bad end for you to choose from.

I will post again in the future when I have begun work on Opening the Book - Extra Effects. Just felt like sharing that I plan to build upon this work with you pleasant folks. See you guys then. ;D

No.16

You! I'm the one who read your pensive nonsense LIKE A BOSS from way back whenever.

Re: the good ending: I like moments like Mado laughing at a joking comment even as she's sobbing (we've all been there) & a certain character's disd in for TV dramas. I also like what happened with aunt Kaede, and I wonder if her real-life ordeals have a story or journal of their own.


No.20

>>16
You know, that's an interesting concept, if Aunt Kaede kept a journal of her own. It would shine a little bit of light on why she was so understanding of Madotsuki's dream diary.

Also, glad you enjoyed. :D I need to retcon a little bit of the Good End so I can fit in why the extra effect tie into the actual story. It'll be fun.


No.25

Good stuff.


No.28

File: 1318369691740.jpg (40.69 KB, 600x901, l.jpg)

>Poniko chapter




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